"The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974" by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra was released on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. The popularity of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Vivace (lively and fast), since this song has a tempo of 174 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Funeral Blues | Wystan Hugh Auden, Benjamin Britten, Sarah Walker, Roger Vignoles | C Minor | 1 | 5A | 63 BPM | ||
Symphony No.9 In D / 2. Satz: Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 96 BPM | ||
Pictures at an Exhibition: Promenade (II) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 139 BPM | ||
Don Quixote, Op. 35: The Battle with the Sheep: Variation II | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | A Major | 2 | 11B | 126 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): The Story Begins | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | G Major | 2 | 9B | 100 BPM | ||
Concerto for Two Violins, Strings and Continuo in C Minor, RV 509: II. Andante molto | Antonio Vivaldi, Isaac Stern, Eugene Ormandy, Philadelphia Orchestra | C Minor | 2 | 5A | 130 BPM | ||
Shostakovich: Symphony No. 11 in G Minor, Op. 103 "The Year 1905": III. In Memoriam | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Minor | 0 | 6A | 77 BPM | ||
West Side Story: XI. The Rumble | Leonard Bernstein | G Minor | 4 | 6A | 197 BPM | ||
L'Oiseau de feu, K010: VIII. Jeu de princesses avec les pommes d'or | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | D Major | 2 | 10B | 87 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 2: 19. Entr'acte symphonique - Scène (Aurora's sleep) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | C Major | 0 | 8B | 144 BPM |