"Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto" by Franz Schubert, Trio Zeliha, Manon Galy, Maxime Quennesson, Jorge Gonzalez Buajasan was released on April 12, 2024. Since Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Schubert: Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto by Franz Schubert, Trio Zeliha, Manon Galy, Maxime Quennesson, Jorge Gonzalez Buajasan having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Moments musicaux Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Salih Can Gevrek | D♭ Major | 0 | 3B | 73 BPM | ||
Sonate No. 1 pour violoncelle et piano, Op. 109: II. Andante | Gabriel Fauré, Marc Coppey, François Dumont | D Major | 1 | 10B | 84 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Preludio de las Profecías Olvidadas | Luciano Keys | F Major | 3 | 7B | 99 BPM | ||
Hexapoda: No. 2, Jane Shakes Her Head | Robert Russell Bennett, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Grieg: 4 Norwegian Dances, Op. 35: No. 2 in A Major, Allegretto tranquillo e grazioso | Edvard Grieg, Alexandre Tharaud, Víkingur Ólafsson | A♭ Major | 1 | 4B | 109 BPM | ||
Suite for Violin and Piano, Op. 3: II. Cavatina | Samuel Coleridge-Taylor, Randall Goosby, Zhu Wang | D Major | 1 | 10B | 76 BPM | ||
Piano Trio No. 1 in B Minor, Op. 8: II. Scherzo. Allegro molto | Johannes Brahms, Trio Sōra | B Major | 1 | 1B | 52 BPM |