"Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees—" by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale was released on April 21, 2023. Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees— is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 21 in the song's album "Thomas Adès: Dante". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees—'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees— by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in D Minor: IV. Scherzo. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A Minor | 4 | 8A | 106 BPM | ||
"West Side Story" - Symphonic Dances: I. Prologue - Live | Leonard Bernstein, Los Angeles Philharmonic | F Major | 3 | 7B | 119 BPM | ||
Dream of Egypt | Thomas Adès | E Major | 3 | 12B | 70 BPM | ||
Pines Of Rome, P. 141: The Pines Of The Janiculum | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 78 BPM | ||
"West Side Story" - Symphonic Dances: II. Somewhere - Live | Leonard Bernstein, Los Angeles Philharmonic | E Major | 0 | 12B | 69 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
Les Eaux célestes: II. La Séparation | Camille Pépin, Orchestre National De Lyon, Ben Glassberg | B♭ Minor | 2 | 3A | 134 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Imple superna gratia | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 3 | 5B | 85 BPM | ||
Viola Sonata No. 1 in C Minor, Op. 18: III. Finale. Presto | York Bowen, Timothy Ridout, Frank Dupree | C Minor | 2 | 5A | 114 BPM |