"Příhody lišky Bystroušky, JW 1/9 (The Cunning Little Vixen) [Arr. V. Smetáček & V. Talich for Orchestra]: Part II" by Leoš Janáček, Václav Talich, Václav Smetáček, Filharmonie Brno, José Serebrier was released on March 1, 2012. Since Příhody lišky Bystroušky, JW 1/9 (The Cunning Little Vixen) [Arr. V. Smetáček & V. Talich for Orchestra]: Part II is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Leoš Janáček, Filharmonie Brno, José Serebrier's "Janáček: Orchestral Works" album is number 2 out of 21. In terms of popularity, Příhody lišky Bystroušky, JW 1/9 (The Cunning Little Vixen) [Arr. V. Smetáček & V. Talich for Orchestra]: Part II is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Příhody lišky Bystroušky, JW 1/9 (The Cunning Little Vixen) [Arr. V. Smetáček & V. Talich for Orchestra]: Part II by Leoš Janáček, Václav Talich, Václav Smetáček, Filharmonie Brno, José Serebrier to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fate, JW I/5, Act I: "A brzo přišel teskný dozvuk všeho" (Míla, Živný) | Leoš Janáček, Brno Radio Symphony Orchestra, Břetislav Bakala, Libuše Domanínská, Jaroslav Ulrych | B Major | 2 | 1B | 74 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
6 Pezzi, P. 44: No. 2. Canone | Ottorino Respighi, Konstantin Scherbakov | B♭ Major | 1 | 6B | 83 BPM | ||
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
Impresiones intimas: I. 4 Quejas (4 Complaints): No. 1. Lento cantabile espressive | Federico Mompou, Olena Kushpler | A Minor | 0 | 8A | 74 BPM | ||
Schubert: Piano Sonata No. 14 in A Minor, Op. posth. 143, D. 784 "Grande Sonate": II. Andante | Franz Schubert, Eric Lu | C Major | 2 | 8B | 79 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM |