"Figure humaine - La menace sous le ciel rouge" by Laurence Equilbey, Accentus, Francis Poulenc was released on March 20, 2001. The duration of Figure humaine - La menace sous le ciel rouge is about 3 minutes long, at 3:06. Based on our data, "Figure humaine - La menace sous le ciel rouge" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Poulenc: Figure Humaine". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. Figure humaine - La menace sous le ciel rouge is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Figure humaine - La menace sous le ciel rouge by Laurence Equilbey, Accentus, Francis Poulenc having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Requiem, Op. 48: V. Pie Jesu | Gabriel Fauré, Laurence Equilbey, Sandrine Piau, Orchestre National De France | B♭ Major | 1 | 6B | 85 BPM | ||
O Haupt voll blut und wunden: II. Aria "Du dessen Todeswunden" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | E♭ Major | 2 | 5B | 77 BPM | ||
Serse: Aria "Ombra mai fù" (Atto I, scena 1) | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | E Major | 1 | 12B | 107 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Ständchen, D. 920 | Franz Schubert, Edouard Garcin, Laurence Equilbey, Isabelle Dupuis-Pardoel, Accentus | F Major | 1 | 7B | 132 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM |