Paul Kochanski, Manuel de Falla, Elizabeth Sellars, Len Vorster made "7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): El Pano moruno" available on June 18, 1998. With 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): El Pano moruno being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 17 in Falla: Popular Spanish Suite / Piano Pieces / Harpsichord Concerto by Manuel de Falla, Various Artists, Brett Kelly. In terms of popularity, 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): El Pano moruno is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): El Pano moruno by Paul Kochanski, Manuel de Falla, Elizabeth Sellars, Len Vorster is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pieces, Op. 79: No. 6, Berceuse | Jean Sibelius, Cecilia Ziano, Alessandro Stella | D♭ Minor | 0 | 12A | 92 BPM | ||
Cello Sonata in D Minor: III. Finale: Anime | Claude Debussy, Harriet Krijgh, Kamilla Isanbaeva | C Minor | 1 | 5A | 97 BPM | ||
Sonate pour flûte et piano, Op. 64: I. Andantino con moto | Mel Bonis, Mathilde Calderini, Aurèle Marthan | F♯ Major | 0 | 2B | 66 BPM | ||
Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 89 BPM | ||
3 Gymnopedies (arr. for flute and piano): No. 3. Lent et grave | Erik Satie, Kenneth Smith, Paul Rhodes | A Minor | 1 | 8A | 79 BPM | ||
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): No. 1. El pano moruno | Paul Kochanski, Manuel de Falla, Marina Yashvili, Nahum Walter | A Major | 4 | 11B | 94 BPM | ||
Humoresque in F Major, Op. 26 | William Henry Squire, Oliver Gledhill, Tadashi Imai | F Major | 2 | 7B | 157 BPM | ||
Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM | ||
Quintette: I. Assez anime | Jean Cras, Juliette Hurel, Philippe Graffin, Miguel Da Silva, Henri Demarquette, Marie-Pierre Langlamet | A Major | 1 | 11B | 139 BPM | ||
El amor brujo (Love, the Magician): Pantomima (Pantomime) (arr. P. Kochanski for violin and piano) | Paul Kochanski, Manuel de Falla, Jascha Heifetz, Emmanuel Bay | G Major | 2 | 9B | 77 BPM |