Richard Wagner, Klaus König/Lucia Popp/Bernd Weikl/Waltraud Meier/Kurt Moll/Siegfried Jerusalem/Donald Litaker/Rainer Scholze/Gabriele Sima/Vier Tölzer Knaben/Chor des Bayerischen Rundfunks/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink/Walto, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's 'Tannhäuser, Act 2, Scene 4: Freudig begrussen wir die edle Hall' came out on 1985. Tannhäuser, Act 2, Scene 4: Freudig begrussen wir die edle Hall is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. This song is part of Wagner: Tannhäuser by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marianne Eklof, Barbara Bonney, Gösta Ohlin's Vocal Ensemble & Pro Musica Chamber Choir, Richard Wagner, Bernard Haitink. The song's track number on the album is #5 out of 27 tracks. Tannhäuser, Act 2, Scene 4: Freudig begrussen wir die edle Hall is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, Act 2, Scene 4: Freudig begrussen wir die edle Hall by Richard Wagner, Klaus König/Lucia Popp/Bernd Weikl/Waltraud Meier/Kurt Moll/Siegfried Jerusalem/Donald Litaker/Rainer Scholze/Gabriele Sima/Vier Tölzer Knaben/Chor des Bayerischen Rundfunks/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink/Walto, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Tannhäuser, Act 2, Scene 4: Freudig begrussen wir die edle Hall being at 65 テンポ, the half-time would be 32 テンポ with a double-time of 130 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Te Deum, WAB 45: 3. Aeterna fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Minor | 1 | 5A | 82 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM |