"Tres Cartas de Mexico: 1. Allegro gais" by Miguel Bernal Jiménez, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Cecilia López, Juan Reves, Jesús Ruiz, Alfredo Sanchez Oviedo was released on January 1, 1994. The duration of Tres Cartas de Mexico: 1. Allegro gais is about 3 minutes long, at 3:18. Based on our data, "Tres Cartas de Mexico: 1. Allegro gais" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz's "Musica Mexicana Vol. 4" album is number 4 out of 11. Tres Cartas de Mexico: 1. Allegro gais is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tres Cartas de Mexico: 1. Allegro gais by Miguel Bernal Jiménez, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Cecilia López, Juan Reves, Jesús Ruiz, Alfredo Sanchez Oviedo to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644) | Franz Schubert, Gewandhausorchester, Kurt Masur | G Major | 0 | 9B | 85 BPM | ||
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": V. Los Manolos (Passa calle). Allegro vivo | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | B Minor | 1 | 10A | 96 BPM | ||
3 Danzas Tarascas: No. 2. Andante | Miguel Bernal Jiménez, Luis Samuel Saloma Alcala, Duane Cochran | C Major | 0 | 8B | 65 BPM | ||
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Lieder ohne Worte (Song without Words), Book 5, Op. 62: No. 30 in A Major, Op. 62, No. 6, "Fruhlingslied" (arr. for violin, cello and strings) | Anonymous, Felix Mendelssohn, Béla Bánfalvi, Karoly Botvay, Budapest Strings | A Major | 1 | 11B | 102 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
3 Danzas Tarascas (Arr. M. Enriquez): No. 2, Andante | Miguel Bernal Jiménez, Carlos Prieto, Edison Quintana | E Major | 0 | 12B | 127 BPM | ||
Marcha Pompa y Circunstancia N. 1 / Edgar | Edward Elgar | D Major | 4 | 10B | 116 BPM | ||
Estancia, Op. 8a: IV. Danza final (Malambo) | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | C Major | 4 | 8B | 106 BPM |