Richard Strauss, Paul Tortelier, Giusto Cappone, Rudolf Kempe, Berliner Philharmoniker made "Strauss, R: Don Quixote, Op. 35: Finale. Death of Don Quixote" available on August 9, 2010. Strauss, R: Don Quixote, Op. 35: Finale. Death of Don Quixote is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Rudolf Kempe's "Icon: Rudolf Kempe" album is number 13 out of 112. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Strauss, R: Don Quixote, Op. 35: Finale. Death of Don Quixote's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Strauss, R: Don Quixote, Op. 35: Finale. Death of Don Quixote by Richard Strauss, Paul Tortelier, Giusto Cappone, Rudolf Kempe, Berliner Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 3 | 4B | 128 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
5 Piano Pieces, Op. 3, TrV 105: No. 1. Andante | Richard Strauss, Stefan Veselka | B♭ Major | 2 | 6B | 77 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM |