Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos's 'Tomasi: Trumpet Concerto: III. Finale' came out on January 1, 1993. The duration of Tomasi: Trumpet Concerto: III. Finale is about 3 minutes long, at 3:01. Based on our data, "Tomasi: Trumpet Concerto: III. Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos's "Haydn, Hummel, Tomasi & Jolivet: Trumpet Concertos" album is number 4 out of 10. Tomasi: Trumpet Concerto: III. Finale is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tomasi: Trumpet Concerto: III. Finale by Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Six Pieces: No. 3, The Hunt | Nikolai Nikolayevich Tcherepnin, Deutsches Horn Ensemble | B♭ Minor | 3 | 3A | 79 BPM | ||
Rough Tango | Quartetto Fancelli | A Minor | 1 | 8A | 82 BPM | ||
Fanfares liturgiques: Apocalypse | Henri Tomasi, Marie-Paule Lavogez, Andre Vaisse, Marseille Philharmonic Orchestra, Michel Piquemal | D♭ Minor | 4 | 12A | 124 BPM | ||
3 Pieces, Op. 34: No. 1. Lent | Charles Koechlin, Eckart Hubner, Inge-Susann Romhild | B Minor | 0 | 10A | 72 BPM | ||
Concertino for Horn and Orchestra, Op. 45, J. 188: I. Adagio – Andante | Carl Maria von Weber, Martin Owen, BBC Philharmonic, John Wilson | E Major | 1 | 12B | 118 BPM | ||
3 pieces: Piece n 3 | Igor Stravinsky, Alain Damiens | A Major | 1 | 11B | 97 BPM | ||
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken): I. Serenade | Agathe Backer Grøndahl, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Kingfishers Catch Fire: I. Following falls and falls of rain | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 0 | 9B | 73 BPM | ||
Dance Movements: III. Lento (for the brass) | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 0 | 4B | 174 BPM |