Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák made "Overture (Suite) No. 3 in D Major, BWV 1068: II. Air" available on July 1, 1997. With this song being about 5 minutes long, at 5:12, "Overture (Suite) No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 24 in Bach, J.S.: Orchestral Suites Nos. 1-4, Bwv 1066-1069 by Johann Sebastian Bach, Jaroslav Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Overture (Suite) No. 3 in D Major, BWV 1068: II. Air's popularity is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Overture (Suite) No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Evgeny Kissin | G Major | 2 | 9B | 101 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 3 | 7A | 187 BPM | ||
Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM |