Niccolò Paganini, Luigi Alberto Bianchi, Maurizio Preda's ' "60 Variations on Barucaba, Op. 14, MS 71: Group No. 2: Variation 12" was released on its scheduled release date, January 1, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 67 in the song's album "Paganini: Sonata Concertata / Cantabile E Valtz / 60 Variations On Barucaba". In this album, this song's track order is #38. Furthermore, we believe that the track originated from Italy. In terms of popularity, 60 Variations on Barucaba, Op. 14, MS 71: Group No. 2: Variation 12 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 60 Variations on Barucaba, Op. 14, MS 71: Group No. 2: Variation 12 by Niccolò Paganini, Luigi Alberto Bianchi, Maurizio Preda having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | C Minor | 1 | 5A | 79 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio | Johann Sebastian Bach, Ilya Kaler | C Major | 7 | 8B | 82 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Dance of the goblins | Antonio Bazzini, Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Romanza in Am | Niccolò Paganini, Niklas Johansen | A Minor | 0 | 8A | 79 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM |