"Angelus ad pastores ait à 4" by Andrea Gabrieli, Marie Luise Werneburg, Marnix De Cat, Bernd Oliver Fröhlich, Jan Van Elsacker, Manfred Cordes was released on October 15, 2021. With Angelus ad pastores ait à 4 being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andrea Gabrieli, Manfred Cordes, Bremen Weser-Renaissance's "Gabrieli: Motets & Organ Works" album is number 16 out of 19. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Angelus ad pastores ait à 4 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Angelus ad pastores ait à 4 by Andrea Gabrieli, Marie Luise Werneburg, Marnix De Cat, Bernd Oliver Fröhlich, Jan Van Elsacker, Manfred Cordes to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
Ich weiss, dass mein Erlöser lebet | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 0 | 9B | 123 BPM | ||
Missa brevis a 4 vocum: Kyrie | Andrea Gabrieli, Concentus Musicus Patavinus, Schola Gregoriana Scriptoria, Fabio Framba | B Minor | 2 | 10A | 76 BPM | ||
Missa pro defunctis: V. Sanctus | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Major | 3 | 11B | 80 BPM | ||
A Thousand Regrets | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Domine Dominus noster a 8 (In due cori) | Andrea Gabrieli, Chœur De Chambre De Namur, La Fenice, Jean Tubéry | D Minor | 1 | 7A | 69 BPM |