Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz made "Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): III. Allemanda: Allegro moderato" available on March 6, 2012. The duration of Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): III. Allemanda: Allegro moderato is about 3 minutes long, at 3:23. Based on our data, "Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): III. Allemanda: Allegro moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 12 in Bach: Orchestral transcriptions by Respighi & Elgar by Ottorino Respighi, Gerard Schwarz. Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): III. Allemanda: Allegro moderato is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): III. Allemanda: Allegro moderato by Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Masques et bergamasques Suite, Op. 112: II. Menuet: Tempo di minuetto - Allegretto moderato | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F Major | 0 | 7B | 105 BPM | ||
Grieg: Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Truls Mørk, Håvard Gimse | D♭ Major | 1 | 3B | 121 BPM | ||
Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 2 | 8A | 73 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Vivaldi: Cello Concerto in B Minor, RV 424: II. Largo | Antonio Vivaldi, Han-Na Chang, Christopher Warren-Green, London Chamber Orchestra | D Minor | 2 | 7A | 153 BPM | ||
String Octet in B-Flat Major: I. Allegro moderato | Max Bruch, Zsolt Fejervari, Kodály Quartet, Auer String Quartet | G Major | 4 | 9B | 112 BPM | ||
La Boutique Fantasque: Valse lente | Ottorino Respighi, Israel Philharmonic Orchestra, Sir Georg Solti | G Major | 0 | 9B | 126 BPM |