"Missa Praeter rerum seriem: III. Credo" by George de La Hèle, El León de Oro, Peter Phillips was released on April 5, 2024. Since Missa Praeter rerum seriem: III. Credo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in El León de Oro, George de La Hèle, Peter Phillips, Pierre de Manchicourt, Marco Antonio García de Paz, Nicolas Payen, Philippe Rogier's "La Hèle: Missa Praeter rerum seriem & Works by Manchicourt, Payen & Rogier" album is number 3 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Missa Praeter rerum seriem: III. Credo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Praeter rerum seriem: III. Credo by George de La Hèle, El León de Oro, Peter Phillips to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 100 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Prayer of the Blind Man | Georgy Sviridov, Roman Podlubnyak, Credo Chamber Choir, Bogdan Plish | B♭ Minor | 0 | 3A | 85 BPM | ||
Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
O happy he | Thomas Weelkes, The Choir of Chichester Cathedral, Charles Harrison | B Minor | 1 | 10A | 114 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM | ||
Missa Ecce quam bonum: Osanna II | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 95 BPM | ||
Magi veniunt ab oriente: II. Magi videntes stellam | Jacob Clemens non Papa, Owain Park, The Gesualdo Six | B Minor | 1 | 10A | 86 BPM |