"The Tempest: Suite No. 2, Op. 109: V. Song I and II" by Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari was released on February 25, 2001. The duration of The Tempest: Suite No. 2, Op. 109: V. Song I and II is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Tempest: Suite No. 2, Op. 109: V. Song I and II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sibelius: Symphonies Nos. 6 and 7 / 'The Tempest', Suite No. 2". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. The Tempest: Suite No. 2, Op. 109: V. Song I and II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Tempest: Suite No. 2, Op. 109: V. Song I and II by Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tempest: Suite No. 2, Op. 109: V. Song I and II | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Fountains of Rome, P. 106: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 0 | 8B | 60 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
Dark Water | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: II. Allegretto un poco agitato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Symphonic Dances, Op. 64: IV. Andante - Allegro molto e risoluto | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | F Minor | 1 | 4A | 73 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |