Vienna State Opera Orchestra's 'Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace' came out on March 23, 2004. Since Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Prohaska, Mischa Elman, Vienna State Opera Orchestra, Vladimir Golschman's "Mendelssohn: Orchestral Masterpieces" album is number 1 out of 15. Based on our statistics, Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace by Vienna State Opera Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | ||
L'Estro Armonico, Op. 3, Concerto No. 11 in D Minor for two violins, cello and strings, RV565: iii. Allegro | Vivaldi, Jan Tomasow, Herman Nordberg, Willi Boskovsky, Vienna State Opera Orchestra, Richard Harand, Mario Rossi | E Minor | 3 | 9A | 111 BPM | ||
Küssen ist keine Sünd | Vienna State Opera Orchestra | A♭ Major | 3 | 4B | 126 BPM | ||
Don Pasquale / Act 3: Che interminabile andirivieni ... Quel nepotino | Gaetano Donizetti, Wiener Staatsopernchor, Vienna State Opera Orchestra, István Kertész | A Major | 3 | 11B | 97 BPM | ||
Jolantha, Königin von Jerusalem, Act II: Trauer Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | E♭ Major | 0 | 5B | 86 BPM | ||
Nabucco / Act 1: Prode guerrier! | Giuseppe Verdi, Elena Suliotis, Bruno Prevedi, Dora Carral, Vienna State Opera Orchestra, Lamberto Gardelli | E Major | 2 | 12B | 126 BPM | ||
Norma: Sinfonia | Vincenzo Bellini, Welsh National Opera Orchestra, Richard Bonynge | G Major | 1 | 9B | 140 BPM | ||
Water Music: Suite No. 1 in F Major, HWV 348: III. Allegro - IV. Andante - Allegro | George Frideric Handel, Vienna State Opera Orchestra, Hermann Scherchen | D Major | 2 | 10B | 80 BPM | ||
Parsifal / Act 1: "Vom Bade kehrt der König heim" | Richard Wagner, Franz-Josef Selig, Plácido Domingo, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 2 | 4B | 173 BPM |