Ruggero Leoncavallo, Luciano Pavarotti, Vincenzo Bello, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè's 'Pagliacci / Act 1: "Son qua! Ritornano"' came out on December 3, 1978. The duration of Pagliacci / Act 1: "Son qua! Ritornano" is about 3 minutes long, at 3:11. Based on our data, "Pagliacci / Act 1: "Son qua! Ritornano"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè's "Leoncavallo: Pagliacci" album is number 2 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Pagliacci / Act 1: "Son qua! Ritornano" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 1: "Son qua! Ritornano" by Ruggero Leoncavallo, Luciano Pavarotti, Vincenzo Bello, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind" | Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | C Major | 6 | 8B | 80 BPM | ||
Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Major | 0 | 10B | 140 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Beatrice di Tenda / Act 2: Angiol di pace - Live In New York / 1981 | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Marilyn Horne, New York City Opera Orchestra, Richard Bonynge | G Minor | 4 | 6A | 82 BPM | ||
L'elisir d'amore / Act 1: "Caro elisir! Sei mio!" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | C Minor | 1 | 5A | 115 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Otello, ossia Il moro di Venezia: Act I: Cavatina: Ah si, per voi gia sento (Otello, Jago, Choir) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | ||
Verdi: Messa da Requiem: IX. Ingemisco | Giuseppe Verdi, Riccardo Muti, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
La fille du régiment / Act 1: Le camarade est amoureux! | Gaetano Donizetti, Eric Garrett, Luciano Pavarotti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM |