"Turangalîla Symphonie: Turangalîla 1" by Olivier Messiaen, Seiji Ozawa, Yvonne Loriod, Jeanne Loriod was released on May 17, 2004. With this song being about 5 minutes long, at 5:14, "Turangalîla Symphonie: Turangalîla 1" by Olivier Messiaen, Seiji Ozawa, Yvonne Loriod, Jeanne Loriod is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Olivier Messiaen, Seiji Ozawa's "Messiaen Turangalîla Symphony: Classic Library Series" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Turangalîla Symphonie: Turangalîla 1 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla Symphonie: Turangalîla 1 by Olivier Messiaen, Seiji Ozawa, Yvonne Loriod, Jeanne Loriod to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turangalîla Symphonie: 8. Développement de l'amour | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | F♯ Major | 2 | 2B | 146 BPM | ||
Visions Fugitives, Op. 22: 7. Pittoresco | Sergei Prokofiev, Anna Gourari | D Major | 0 | 10B | 78 BPM | ||
Sonata for Four Hands, FP 8: I. Prelude | Francis Poulenc, Lucille Chung, Alessio Bax | C Minor | 1 | 5A | 83 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Ibert: Jeux (Sonatine for Flute and Piano): II. Tendre | Jacques Ibert, Eric Le Sage | B Major | 1 | 1B | 80 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 3. Finale (Allegro molto) | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F♯ Minor | 0 | 11A | 84 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM |