Bamberg Symphony made "Torero March From "Carmen"" available on June 9, 2006. The duration of Torero March From "Carmen" is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Torero March From "Carmen"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "OHRWÜRMER Fußball Hits & Stadion Hits". In this album, this song's track order is #15. In terms of popularity, Torero March From "Carmen" is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Torero March From "Carmen" by Bamberg Symphony having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Die Walküre, Act 1: Prelude | Richard Wagner, Otto Klemperer, New Philharmonia Orchestra | D Minor | 3 | 7A | 203 BPM | ||
The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1866-1868 Linz version): III. Scherzo. Schnell - Trio. Langsamer | Anton Bruckner, Bruckner Orchester Linz, Markus Poschner | G Minor | 1 | 6A | 116 BPM | ||
Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | Béla Bartók, Karina Canellakis, Netherlands Radio Philharmonic Orchestra | A Minor | 1 | 8A | 128 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Die Freunde von Salamanka, D. 326: Ouverture. Allegro vivace | Franz Schubert, Vienna Radio Symphony Orchestra, Theodor Guschlbauer | C Major | 2 | 8B | 130 BPM | ||
Concerto pour violon No. 1, Op. 35 ; TH 59: I. Allegro moderato—Moderato assai en ré majeur (extrait) | Pyotr Ilyich Tchaikovsky, Isaac Stern, Philadelphia Orchestra, Eugene Ormandy | B Minor | 5 | 10A | 94 BPM | ||
Gymnopédie No. 1 (Orch. Debussy) | Erik Satie, Ronald Corp, New London Orchestra | D♭ Major | 2 | 3B | 75 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM |