"Adagio for Strings, Op. 11 - Live" by Samuel Barber, Los Angeles Philharmonic, Leonard Bernstein was released on January 1, 2012. Adagio for Strings, Op. 11 - Live appears to be safe for all ages as it is not explicit. Because this song is the only song in Barber: Adagio – Meisterwerke and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Adagio for Strings, Op. 11 - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio for Strings, Op. 11 - Live by Samuel Barber, Los Angeles Philharmonic, Leonard Bernstein is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM | ||
Symphony No. 5 in C-Sharp Minor / Pt. 3: 4. Adagietto - Live | Gustav Mahler, Wiener Philharmoniker, Leonard Bernstein | F Major | 0 | 7B | 79 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | ||
Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
Nocturne in C-Sharp Minor, Op. Posth. | Frédéric Chopin, Jan Lisiecki | D♭ Minor | 0 | 12A | 73 BPM | ||
Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | B♭ Major | 4 | 6B | 157 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846 | Daniel Barenboim | A Minor | 1 | 8A | 107 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Concerto For Piano And Orchestra No. 2 In F Minor, Op. 21 (Arr. By Mikhail Pletnev): 2. Larghetto | Frédéric Chopin, Daniil Trifonov, Mahler Chamber Orchestra, Mikhail Pletnev | A♭ Major | 0 | 4B | 76 BPM |