"Polaris "Voyage for Orchestra"" by Thomas Adès, London Symphony Orchestra was released on March 3, 2017. Polaris "Voyage for Orchestra" appears to be safe for all ages as it is not explicit. The song is number 6 out of 7 in Adès: Asyla, Tevot, Polaris by Thomas Adès, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Polaris "Voyage for Orchestra" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Polaris "Voyage for Orchestra" by Thomas Adès, London Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 87 BPM | ||
Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
Mother Goose: III. Pavane de la belle au bois dormant | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | E Minor | 0 | 9A | 89 BPM | ||
Das Rheingold: Prelude | Richard Wagner, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | A♭ Major | 1 | 4B | 77 BPM | ||
Turangalîla Symphonie: 6. Jardin du sommeil d'amour | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | F♯ Major | 0 | 2B | 107 BPM | ||
Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Movement 6 | Floating Points, Pharoah Sanders, London Symphony Orchestra | C Minor | 3 | 5A | 89 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 0 | 8B | 133 BPM | ||
Die Walkure: Act I Scene 1: Prelude | Richard Wagner, Frank van Aken, Ain Anger, Terje Stensvold, Eva-Maria Westbroek, Susan Bullock, Martina Dike, Anja Fidelia Ulrich, Mona Somm, Eve-Maud Hubeaux, Bernadett Fodor, Christiane Kohl, Lisa Wedekind, Tanja Ariane Baumgartner, Monika Bohinec, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | C Major | 5 | 8B | 172 BPM |