Umberto Giordano, Tom Krause, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly's 'Andrea Chénier / Act 2: Calligrafia invero femminil!' came out on January 1, 1984. The duration of Andrea Chénier / Act 2: Calligrafia invero femminil! is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Andrea Chénier / Act 2: Calligrafia invero femminil!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 11 out of 30. Andrea Chénier / Act 2: Calligrafia invero femminil! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier / Act 2: Calligrafia invero femminil! by Umberto Giordano, Tom Krause, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas, Escena 1ª, II parte: "Niña loca" | Coro del Gran Teatro Lírico de Bacelona | E♭ Major | 2 | 5B | 129 BPM | ||
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
Otello / Act 2: "Ora e per sempre addio" | Giuseppe Verdi, Luciano Pavarotti, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 4 | 5B | 169 BPM | ||
Júrame | Arturo Chacón | D Major | 3 | 10B | 81 BPM | ||
La Bohème / Act 2: "Chi guardi?" - "Ecco i giocattoli di Parpignol" | Giacomo Puccini, Luciano Pavarotti, Nicolai Ghiaurov, Mirella Freni, Gianni Maffeo, Gernot Pietsch, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 172 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Norma / Act 1: "Me protegge, me difende" | Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 3 | 5B | 116 BPM | ||
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Pagliacci / Act 2: "Coraggio" | Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Juan Pons, Philadelphia Orchestra, Riccardo Muti | G Major | 2 | 9B | 84 BPM | ||
L'elisir d'amore / Act 1: "Udite, udite, o rustici" | Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 129 BPM |