"Cantiones sacrae octonis vocibus (Excerpts Arr. for Mixed Choir & Organ): No. 18, Quae est ista quae ascendit" by Peter Philips, Convivium Singers, David Price, Alexander Norman was released on June 1, 2011. The duration of Cantiones sacrae octonis vocibus (Excerpts Arr. for Mixed Choir & Organ): No. 18, Quae est ista quae ascendit is about 3 minutes long, at 3:11. Based on our data, "Cantiones sacrae octonis vocibus (Excerpts Arr. for Mixed Choir & Organ): No. 18, Quae est ista quae ascendit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Peter Philips: Latin Motets". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Cantiones sacrae octonis vocibus (Excerpts Arr. for Mixed Choir & Organ): No. 18, Quae est ista quae ascendit's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantiones sacrae octonis vocibus (Excerpts Arr. for Mixed Choir & Organ): No. 18, Quae est ista quae ascendit by Peter Philips, Convivium Singers, David Price, Alexander Norman having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa Della Domenica: Kyrye III | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | E♭ Minor | 0 | 2A | 112 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Ich weiss, dass mein Erlöser lebet | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 0 | 9B | 123 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Mouton: Nesciens Mater | The Tallis Scholars, Peter Phillips | F Major | 2 | 7B | 82 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Cantique de Jean Racine | Escolania de Montserrat, Eduard Vila i Perarnau, Gabriel Fauré, Joaquim Piqué i Calvo | C Major | 2 | 8B | 121 BPM | ||
Amarilli mia bella | Giulio Caccini, Peter Philips, Ensemble Floridante, Kristo Käo, Maria Valdmaa, Saale Fischer | D Major | 3 | 10B | 122 BPM | ||
Selig sind die Toten | Heinrich Schütz, Elizabeth Futral, Judith Malafronte, Frederick Urrey, Wilbur Pauley, Richard Westenburg | G Major | 1 | 9B | 127 BPM |