"24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor" by Niccolò Paganini, Itzhak Perlman was released on February 1, 2000. The duration of 24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor is about 3 minutes long, at 3:27. Based on our data, "24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #6. Based on our statistics, 24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor by Niccolò Paganini, Itzhak Perlman having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
24 Caprices For Violin, Op. 1, MS. 25: No. 14 in E-Flat Major | Niccolò Paganini, Inmo Yang | E♭ Major | 1 | 5B | 54 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Dvořák: Violin Sonatina in G Major, Op. 100, B. 183 "Indian Lament": III. Scherzo. Molto vivace | Antonín Dvořák, Itzhak Perlman, Samuel Sanders | D♭ Major | 1 | 3B | 92 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: III. Finale - Allegro giocoso, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | A Major | 3 | 11B | 138 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione II: Tempo del Tema | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 168 BPM | ||
Dancing Doll | Itzhak Perlman, Samuel Sanders | D Major | 2 | 10B | 106 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: IV. Finale con brio | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
Bazzini: Scherzo fantastique, Op. 25, "La ronde des lutins" | Antonio Bazzini, Itzhak Perlman, Samuel Sanders | E Minor | 4 | 9A | 101 BPM |