Andrea Martin, Candide Ensemble (1997) made "I Am Easily Assimilated" available on July 29, 1997. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 24 in Candide (New Broadway Cast Recording (1997)) by New Broadway Cast of Candide (1997). Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, I Am Easily Assimilated's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of I Am Easily Assimilated by Andrea Martin, Candide Ensemble (1997) is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 1a, Introduction | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 2 | 12B | 130 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
Dear Lord | Andrea Martin | C Major | 4 | 8B | 116 BPM | ||
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | C Major | 2 | 8B | 85 BPM | ||
Carmen, WD 31 (Excerpts): Act I: L'amour est un oiseau rebelle (Habanera) | Georges Bizet, Herbert von Karajan, Wiener Philharmoniker | D Major | 0 | 10B | 127 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Toréadors | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Minor | 4 | 7A | 119 BPM | ||
Die Fledermaus: Act I No. 3: Duett - Komm mit mir zum Souper (Falke, Eisenstein) | Johann Strauss II, John Dickie, Gabriele Fontana, Josef Hopferwieser, Brigitte Karwautz, Andrea Martin, Alfred Werner, Rohangiz Yachmi, Bratislava City Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | E Major | 2 | 12B | 121 BPM | ||
Nonet in E-Flat Major, Op. 38: II. Andante con moto | Louise Farrenc, Consortium Classicum | B♭ Major | 0 | 6B | 121 BPM |