Jacques Offenbach, Samuel Ramey, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 3: "Tu ne chanteras plus?"" available on January 1, 1992. With this song being about 5 minutes long, at 4:57, "Les Contes d'Hoffmann / Act 3: "Tu ne chanteras plus?"" by Jacques Offenbach, Samuel Ramey, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 3: "Tu ne chanteras plus?" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Les Contes d'Hoffmann / Act 3: "Tu ne chanteras plus?" by Jacques Offenbach, Samuel Ramey, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
Gitanerías - 1997 Remastered | Ernesto Lecuona, Morton Gould and His Orchestra | G Minor | 5 | 6A | 145 BPM | ||
Offenbach: La belle Hélène, Act 1: No. 1bis, Choeur, "C'est le devoir des jeunes filles" (Chorus, Hélène) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Choeur des Musiciens du Louvre, Les Musiciens du Louvre.Grenoble | A Major | 1 | 11B | 110 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | ||
Don Quixote: Act I: Quiteria and Basilio | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Minor | 0 | 9A | 178 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM |