"Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4" by New Philharmonia Orchestra, New Philharmonia Chorus, Wilhelm Pitz was released on June 4, 2007. The duration of Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4 is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 100 in Best Beethoven 100 by Various Artists. Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4 by New Philharmonia Orchestra, New Philharmonia Chorus, Wilhelm Pitz is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Das Lied von der Erde: IV. Von der Schönheit | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | G Major | 2 | 9B | 128 BPM | ||
3 Latin American Sketches: No. 1, Estribillo | Aaron Copland, New Philharmonia Orchestra | D Major | 3 | 10B | 138 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | B Major | 0 | 1B | 75 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Solomon, HWV 67, Act III: No. 42 Symphony: Arrival of the Queen of Sheba | George Frideric Handel, Daniel Reuss, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 106 BPM | ||
Mattinata (Orch. Faris) | Ruggero Leoncavallo, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | E Major | 3 | 12B | 79 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
3 Latin American Sketches: No. 3, Danza de Jalisco | Aaron Copland, New Philharmonia Orchestra | D Major | 4 | 10B | 155 BPM | ||
Sylvia - Act 3: Marche et cortège de Bacchus | Léo Delibes, New Philharmonia Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 104 BPM |