Carl Michael Ziehrer, Mariss Jansons, Wiener Philharmoniker's 'Wiener Bürger, Walzer, Op. 419' came out on January 2, 2012. Since Wiener Bürger, Walzer, Op. 419 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "New Year's Concert 2012 / Neujahrskonzert 2012". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Wiener Bürger, Walzer, Op. 419 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wiener Bürger, Walzer, Op. 419 by Carl Michael Ziehrer, Mariss Jansons, Wiener Philharmoniker having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Mini 5th | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Hungarian Dance No. 21 in E Minor, WoO 1 (Orch. Dvorák) | Johannes Brahms, NDR Elbphilharmonie Orchester, John Eliot Gardiner | B Minor | 3 | 10A | 150 BPM | ||
Scènes pittoresques, Orchestersuite in 4 Sätzen: Marche | Slovak Philharmonic, Alberto Lizzio | D Major | 1 | 10B | 128 BPM | ||
Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM |