Slovak Radio Symphony Orchestra, Peter Breiner made "Andorra: (Andorra Hymn) The Great Charlemagne, My Father... [Olympic Version]" available on February 7, 2014. With Andorra: (Andorra Hymn) The Great Charlemagne, My Father... [Olympic Version] being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Winter Olympic Anthems: Sochi 2014, Vol. 1 by Slovak Radio Symphony Orchestra, Peter Breiner. The song's track number on the album is #3 out of 43 tracks. In terms of popularity, Andorra: (Andorra Hymn) The Great Charlemagne, My Father... [Olympic Version] is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Andorra: (Andorra Hymn) The Great Charlemagne, My Father... [Olympic Version] by Slovak Radio Symphony Orchestra, Peter Breiner has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Andorra: (Andorra Hymn) The Great Charlemagne, My Father... [Olympic Version] being at 103 テンポ, the half-time would be 52 テンポ with a double-time of 206 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM | ||
Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM | ||
Tosca: Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | A♭ Major | 3 | 4B | 176 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Fanfare for the Common Man | Aaron Copland, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | C Major | 4 | 8B | 130 BPM | ||
The Ghost of Frankenstein (arr. J. Morgan): Main Title | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | B♭ Major | 2 | 6B | 64 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM |