"Cavalleria rusticana: Intermezzo" by Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari was released on November 1, 1992. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Pietro Mascagni, Alexander Rahbari's "Mascagni: Cavalleria Rusticana" album is number 11 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Cavalleria rusticana: Intermezzo is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: Intermezzo by Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse Op. 16 | Gabriel Fauré, Slovak Radio Symphony Orchestra, Keith Clark | D Major | 1 | 10B | 127 BPM | ||
String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": IV. Allegro vivo, "Los Manolos" | Luigi Boccherini, Quintetto Boccherini | G Major | 2 | 9B | 96 BPM | ||
Silvano: Barcarola | Pietro Mascagni, Teatro Lirico Orchestra, Tiziano Severini | E Major | 0 | 12B | 81 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
The Dambusters: March: 'The Dam Busters' | Eric Coates, Slovak Radio Symphony Orchestra | C Major | 1 | 8B | 148 BPM | ||
3 Gymnopedies (orch. Debussy): Gymnopedie No. 2 | Erik Satie, Claude Debussy, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 67 BPM | ||
Swan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 2 | 9A | 88 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Suite bergamasque: III. Clair de lune (arr. A. Reed): Clair de lune | Claude Debussy, Alfred Reed, Slovak Radio Symphony Orchestra, Keith Clark | D♭ Major | 1 | 3B | 81 BPM |