"Requiem in D minor, K.626: Agnus Dei" by Wolfgang Amadeus Mozart, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti had its release date on January 1, 1992. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Requiem in D minor, K.626: Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Sir Georg Solti's "Mozart: Requiem" album is number 17 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem in D minor, K.626: Agnus Dei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D minor, K.626: Agnus Dei by Wolfgang Amadeus Mozart, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Stein der Weisen, Act I: Aria. Ein Mädchen, die von Liebe heiß | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Judith Lovat | D♭ Major | 1 | 3B | 90 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Adagio In E Major KV 261 | Eduardo Marturet, Concertgebouw Chamber Orchestra, Emmy Verhey, Wolfgang Amadeus Mozart, C. Jared Sacks, Channel Classics | E Major | 1 | 12B | 104 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Mozart: Concerto for 2 Pianos No. 10 in E-Flat Major, K. 365: II. Andante | Wolfgang Amadeus Mozart, Martha Argerich, Alexandre Rabinovitch, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | G Major | 1 | 9B | 83 BPM | ||
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) | Péter Nagy, Johannes Brahms | E♭ Major | 0 | 5B | 134 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM |