"Mozart: Concerto for 2 Pianos No. 10 in E-Flat Major, K. 365: II. Andante" by Wolfgang Amadeus Mozart, Martha Argerich, Alexandre Rabinovitch, Jörg Faerber, Württembergisches Kammerorchester Heilbronn was released on January 1, 1994. Since Mozart: Concerto for 2 Pianos No. 10 in E-Flat Major, K. 365: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Martha Argerich, Alexandre Rabinovitch's "Mozart: Pianos Concertos Nos 10, 19 & 20" album is number 8 out of 9. On top of that, Germany appears to be the country where this track was created. Mozart: Concerto for 2 Pianos No. 10 in E-Flat Major, K. 365: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Concerto for 2 Pianos No. 10 in E-Flat Major, K. 365: II. Andante by Wolfgang Amadeus Mozart, Martha Argerich, Alexandre Rabinovitch, Jörg Faerber, Württembergisches Kammerorchester Heilbronn to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364: 2. Andante | Wolfgang Amadeus Mozart, Giuliano Carmignola, Danusha Waskiewicz, Orchestra Mozart, Claudio Abbado | C Minor | 0 | 5A | 107 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | D Minor | 1 | 7A | 74 BPM | ||
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM | ||
Kreisleriana, Op.16: 6. Sehr langsam | Robert Schumann, Martha Argerich | B♭ Major | 0 | 6B | 131 BPM | ||
24 Préludes, Op. 28: No. 17 in A-Flat Major: Allegretto | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 72 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Piano Sonata in B Minor, S. 178: Cantando espressivo senza slentare | Franz Liszt, Martha Argerich | B Major | 1 | 1B | 70 BPM | ||
16 Waltzes, Op. 39: 11. in B Minor | Johannes Brahms, Julius Katchen | F♯ Major | 0 | 2B | 138 BPM | ||
Sonata for Cello and Piano No. 5 in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d'affetto | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | D Minor | 0 | 7A | 60 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 175 BPM |