On April 1, 2011, the song "Hidden in Shadow" was released by Christopher Ball, Chris Ball. The duration of Hidden in Shadow is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Hidden in Shadow's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 15 in Classical Music of the 21st Century - Vol. 5 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Hidden in Shadow's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hidden in Shadow by Christopher Ball, Chris Ball is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 174 BPM | ||
Promenade à l'automne | Marcel Tournier, Carisma | D Minor | 1 | 7A | 179 BPM | ||
Richter: The Leftovers: She Remembers | Max Richter, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Minor | 0 | 11A | 172 BPM | ||
Ductia | Anon, Praetorius Consort, Grayston Burgess, Purcell Consort Of Voices, Christopher Ball | F Major | 1 | 7B | 79 BPM | ||
Portraits in Music: Clara | Erasmus Widmann, Praetorius Consort, Christopher Ball | G Major | 1 | 9B | 123 BPM | ||
Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for violin and piano) | Anonymous, Robert Schumann, Robert Koenig, Si-Qing Lu | F Major | 0 | 7B | 88 BPM | ||
Bagatelle in A Minor, WoO 59 ʻFür Eliseʼ | Ludwig van Beethoven, Paul Lewis | A Minor | 0 | 8A | 122 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM |