"4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem)" by Richard Strauss, Raphaela Gromes, Julian Riem was released on February 7, 2020. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Richard Strauss: Cello Sonatas". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. The popularity of 4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) by Richard Strauss, Raphaela Gromes, Julian Riem having a テンポ of 174 with a half-time of 87 テンポ and a double-time of 348 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite suite, L65: En bateau | Claude Debussy, Lestari Scholtes, Gwylim Janssens | G Major | 0 | 9B | 67 BPM | ||
Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) | Lili Boulanger, Raphaela Gromes, Julian Riem | A Major | 2 | 11B | 78 BPM | ||
Concerto for Piano and Orchestra No. 23 in A major: II. Adagio | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | F♯ Minor | 0 | 11A | 85 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Elektra: Iv. Ich kann nicht sitzen… | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta) | Fanny Mendelssohn, Esther Abrami, Her Ensemble | D Major | 2 | 10B | 110 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: III. Die Nacht (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | D Major | 0 | 10B | 107 BPM |