Henry Purcell, English Chamber Orchestra, Benjamin Britten's 'The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony' came out on January 11, 2019. Since The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 43 in the song's album "Purcell: The Fairy Queen; Songs And Arias". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony by Henry Purcell, English Chamber Orchestra, Benjamin Britten having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Concerto for 2 Oboes in A Minor, RV 536: I. (Allegro) | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
Violin Concerto in F Minor, RV 297 "L'inverno": II. Largo (No. 4 from "Il cimento dell'armonia e dell'inventione", Op. 8) | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | B♭ Major | 1 | 6B | 99 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Concerto in B-flat Major for Three Trumpets and Orchestra: I. Moderato | Georg Philipp Telemann, Wynton Marsalis, English Chamber Orchestra, Raymond Leppard | B♭ Major | 2 | 6B | 94 BPM | ||
A Postcard to Henry Purcell - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | F Major | 0 | 7B | 85 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM |