"Cello Concerto: IV. Finale" by Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving was released on April 16, 2024. Since Cello Concerto: IV. Finale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Cello Concerto: IV. Finale and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cello Concerto: IV. Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto: IV. Finale by Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Sextet No. 1 in B-Flat Major, L. 273: III. Finale. Allegretto | Cayetano Brunetti, Il Maniatico Ensemble, Robert Silla, Luis María Suárez, Pablo Martín, Sandra García, Silvina Álvarez, Carla Sanfélix | B♭ Major | 2 | 6B | 140 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Femina Feminae V. Paseo a Orillas del Mar | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Darcy's Letter - From "Pride & Prejudice" Soundtrack | English Chamber Orchestra, Benjamin Wallfisch | C Minor | 0 | 5A | 139 BPM | ||
String Quartet, Op. 56 "Voces intimae": IV. Allegretto (ma pesante) | Jean Sibelius, Vertavo String Quartet | F Major | 1 | 7B | 83 BPM | ||
Satie / Arr. Kennedy, Lenehan & Messiter for Violin and Orchestra: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Nigel Kennedy, English Chamber Orchestra, John Anderson, Julie Price, Paul Barritt | G Major | 0 | 9B | 95 BPM | ||
Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Younger Than Spring | Winfred Jeremiah | D♭ Major | 1 | 3B | 85 BPM |