Mark-Anthony Turnage, Nash Ensemble's 'Two Memorials: Trier' had a release date set for January 1, 2001. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Two Memorials: Trier's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Turnage: Music to Hear". In this album, this song's track order is #2. Two Memorials: Trier is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Two Memorials: Trier by Mark-Anthony Turnage, Nash Ensemble having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia for Violin Solo n. 1 in B flat major Allegro var. (G. P. Telemann) | Georg Philipp Telemann, Stanislao Marco Spina | B♭ Major | 0 | 6B | 112 BPM | ||
Métaboles: I. Incantatoire | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin | Claude Debussy, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Saxophone Sonata in C-Sharp Major: I. Tres modéré, expressif | Fernande Decruck, Claude Delangle, Odile Delangle | E Major | 0 | 12B | 107 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
7 Papillons: No. 3. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 103 BPM | ||
Symphonie fantastique, H. 48: IV. Marche au supplice - Allegretto non troppo | Mark-Anthony Turnage, N/A, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | B♭ Major | 3 | 6B | 85 BPM | ||
Four Pieces for Clarinet and Piano: I. Leap | Mark-Anthony Turnage, Michael Whight | G Major | 0 | 9B | 170 BPM | ||
String Quartet No. 10, Op. 118: III. Adagio | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM |