"Saxophone Sonata in C-Sharp Major: I. Tres modéré, expressif" by Fernande Decruck, Claude Delangle, Odile Delangle was released on June 30, 2002. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claude Delangle, Odile Delangle's "Koechlin: Etudes for Alto Saxophone and Piano" album is number 1 out of 27. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Saxophone Sonata in C-Sharp Major: I. Tres modéré, expressif is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saxophone Sonata in C-Sharp Major: I. Tres modéré, expressif by Fernande Decruck, Claude Delangle, Odile Delangle to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Sonata in C-Sharp très modéré, expressif | Fernande Decruck, Kenneth Tse, Kazuo Murakami | F Major | 4 | 7B | 135 BPM | ||
Ciudades: I. Córdoba | Guillermo Lago, Fukio Ensemble | A♭ Major | 3 | 4B | 90 BPM | ||
Sonate pour Clarinette et Piano, Op. 167: Sonate pour clarinette et piano, Op. 167: II. Allegro animato | Camille Saint-Saëns, David Bismuth, Pierre Génisson | A♭ Major | 1 | 4B | 130 BPM | ||
5 Pezzi facili: No. 5. Il soldatino | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
Pastorales 2020: IV. Larghetto | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Quintet, KV. 407 (Arr. for Horn Trio by Ernst Naumann): II. Andante | Wolfgang Amadeus Mozart, Martin Owen, Francesca Dego, Alessandro Taverna | A Major | 4 | 11B | 119 BPM | ||
Trois petites pièces: Gigue | Augusta Holmès, Juliette Hurel, Hélène Couvert | F Major | 2 | 7B | 105 BPM | ||
Mermaid's Song | Lūcija Garūta, Ilona Meija, Dzintra Erliha | A Minor | 0 | 8A | 106 BPM |