"Il Trovatore / Act 4: "Ti scosta!" - "Non respingermi" (Manrico, Leonora, Il Conte, Azucena) - Live" by Giuseppe Verdi, Leontyne Price, Giulietta Simionato, Franco Corelli, Ettore Bastianini, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1995. Il Trovatore / Act 4: "Ti scosta!" - "Non respingermi" (Manrico, Leonora, Il Conte, Azucena) - Live is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. This song is part of Verdi: Il Trovatore by Giuseppe Verdi, Wiener Philharmoniker, Herbert von Karajan. The song's track number on the album is #16 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Il Trovatore / Act 4: "Ti scosta!" - "Non respingermi" (Manrico, Leonora, Il Conte, Azucena) - Live is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Il Trovatore / Act 4: "Ti scosta!" - "Non respingermi" (Manrico, Leonora, Il Conte, Azucena) - Live by Giuseppe Verdi, Leontyne Price, Giulietta Simionato, Franco Corelli, Ettore Bastianini, Wiener Philharmoniker, Herbert von Karajan has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Il Trovatore / Act 4: "Ti scosta!" - "Non respingermi" (Manrico, Leonora, Il Conte, Azucena) - Live being at 99 テンポ, the half-time would be 50 テンポ with a double-time of 198 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act II: Povero Rigoletto! | Giuseppe Verdi, Audrey Michael, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Wiener Staatsopernchor | C Major | 1 | 8B | 74 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Rigoletto / Act III: La donna è mobile | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 1 | 1B | 168 BPM | ||
Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM |