Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini's 'Rigoletto / Act III: La donna è mobile' came out on January 1, 1980. The duration of Rigoletto / Act III: La donna è mobile is about 3 minutes long, at 3:06. Based on our data, "Rigoletto / Act III: La donna è mobile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #12 out of 34 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Rigoletto / Act III: La donna è mobile is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act III: La donna è mobile by Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Rigoletto / Act III: La donna è mobile being at 168 テンポ, the half-time would be 84 テンポ with a double-time of 336 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
El Huésped del Sevillano: Raquel (Romanza No. 10) | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia | A Major | 2 | 11B | 79 BPM | ||
Verdi: La traviata, Act 3: "Parigi, o cara, noi lasceremo" (Annina, Violetta, Alfredo) | Giuseppe Verdi, Ines Marietti, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 83 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
La Favorita / Act 4: Spirto gentil, de' sogni miei | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 2 | 8B | 66 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147 / Pt. 2: 10. "Jesus bleibet meine Freude" | Johann Sebastian Bach, Münchener Bach-Chor, Solistengemeinschaft Der Bachwoche Ansbach, Karl Richter | G Major | 2 | 9B | 106 BPM | ||
Sphären-Kläng, Op. 235 | Josef Strauss, Wiener Philharmoniker, Clemens Krauss | E♭ Major | 1 | 5B | 177 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 1 | 12B | 84 BPM | ||
La Parranda: En la huerta de Segura (Canto a Murcia) | Francisco Alonso, Plácido Domingo, Manuel Moreno-Buendia | B♭ Major | 3 | 6B | 104 BPM |