"Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes" by Tomás Luis de Victoria, The Sixteen, Harry Christophers was released on 1995. Since Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Victoria Tenebrae responsories by Tomás Luis de Victoria, The Sixteen, Harry Christophers. The song's track number on the album is #12 out of 18 tracks. Based on our statistics, Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes by Tomás Luis de Victoria, The Sixteen, Harry Christophers has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes being at 134 テンポ, the half-time would be 67 テンポ with a double-time of 268 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | ||
Alma redemptoris mater | Giovanni Pierluigi da Palestrina, Voices of Ascension Chorus, Dennis Keene | A♭ Major | 1 | 4B | 81 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn II - Ecce quomodo moritur iustus | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM | ||
Cantica Beatae Virginis - Motet O Magnum Mysterium, For 4 Voices (1572) | Jordi Savall, Tomás Luis de Victoria | A Minor | 1 | 8A | 81 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Qui ne regrettoit | Jean Mouton, The Gesualdo Six, Owain Park | G Minor | 1 | 6A | 91 BPM |