"O mors inevitabili" by Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot was released on April 1, 2011. The duration of O mors inevitabili is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. O mors inevitabili's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Obsidienne Instrumental Ensemble, Emmanuel Bonnardot's "Josquin Desprez: Missa 'L'homme armé sexti toni'" album is number 16 out of 17. In terms of popularity, O mors inevitabili is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O mors inevitabili by Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caligaverunt Oculi Mei | Arautos do Evangelho | E Minor | 0 | 9A | 81 BPM | ||
Ah Robin | William Cornysh, Max Thomas, Benjamin Seward, Luke Rowe, Henry Isaacs, Leo Dolan, Myron Buist, Mark Williams | C Minor | 1 | 5A | 93 BPM | ||
Missa Salve Diva Parens: I. Kyrie I | Jakob Obrecht, The Sound and the Fury | E Minor | 3 | 9A | 75 BPM | ||
Versi sopra la messa della Madonna: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 3 | 3B | 114 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Fem Latinske Kirkekor: 3. Venite, Filii | Arild Sandvold, Schola Cantorum, Kåre Hanken | A Major | 1 | 11B | 78 BPM | ||
Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | ||
Missa pro Defunctis (1544): Introitus: "Requiem aeternam" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 77 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Sheppard: Missa Cantate - 2f. Et incarnatus est de Spiritu Sancto | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 1 | 9B | 89 BPM |