Cipriano de Rore, Orlando Consort's 'Madrigal - Da le belle contrade d'oriente' came out on January 11, 2006. The duration of Madrigal - Da le belle contrade d'oriente is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Madrigal - Da le belle contrade d'oriente's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Rose, the Lily & the Whortleberry - Medieval and Renaissance Gardens in Music". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Madrigal - Da le belle contrade d'oriente is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madrigal - Da le belle contrade d'oriente by Cipriano de Rore, Orlando Consort having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicut lilium inter spinas | Eleonora d'Este, Lyyra | F Major | 1 | 7B | 82 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
Say love if ever thou didst find | John Dowland, The Toronto Consort | G Major | 1 | 9B | 79 BPM | ||
Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Madrigals, Book 1: Ancor che col partire | Cipriano de Rore, Profeti Della Quinta | A♭ Minor | 1 | 1A | 99 BPM | ||
Igno soave | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 99 BPM | ||
Io canterei d'amor sì novamente - harpsichord | Cipriano de Rore, Elam Rotem | A♭ Minor | 1 | 1A | 74 BPM | ||
Cancionero musical de palacio: No. 277, Ojos, mis ojos | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | C Major | 0 | 8B | 75 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |