"Songs of the Heart, Op. 27: När du sluter mina ögon (When You Close My Eyes)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. The duration of Songs of the Heart, Op. 27: När du sluter mina ögon (When You Close My Eyes) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Songs of the Heart, Op. 27: När du sluter mina ögon (When You Close My Eyes)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 38 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Songs of the Heart, Op. 27: När du sluter mina ögon (When You Close My Eyes) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songs of the Heart, Op. 27: När du sluter mina ögon (When You Close My Eyes) by Birgit Nilsson, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 1: All'erta! All'erta! L'alba appari | Vincenzo Bellini, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 119 BPM | ||
Five Songs, Op. 37:5 Flickan Kom Från Sin Älsklings Möte (The Girl Returned from Meeting Her Lover) | Birgit Nilsson, Janos Solyom | F Major | 1 | 7B | 87 BPM | ||
Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM | ||
Die Meistersinger von Nürnberg - Act 3: "Euch macht ihr's leicht" | Richard Wagner, Norman Bailey, Kurt Moll, Bernd Weikl, Gerd Nienstedt, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 3 | 8B | 94 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Macbeth / Act 1: Scena e Sestetto - Finale I: "Di destarlo per tempo il re m'impose" | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Antonio Savastano, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 2 | 3B | 94 BPM | ||
Six Songs, Op 48: en Drøm (A Dream) | Birgit Nilsson, Geoffrey Parsons | F Major | 1 | 7B | 87 BPM | ||
Fidelio, Op. 72 / Act 2: "Des besten Konigs Wink und Wille...O Gott!" | Ludwig van Beethoven, Hermann Prey, Kurt Böhme, Vienna State Opera Chorus, Tom Krause, Birgit Nilsson, Graziella Sciutti, James McCracken, Wiener Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 122 BPM |