Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov's 'Gayane Suite No. 3: II. Dance of the Comrades' came out on June 1, 1994. With Gayane Suite No. 3: II. Dance of the Comrades being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Aram Khachaturian's "Khachaturian, A.I.: Gayane Suites Nos. 1- 3" album is number 13 out of 17. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Gayane Suite No. 3: II. Dance of the Comrades is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gayane Suite No. 3: II. Dance of the Comrades by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
The Hebrides - Overture (Fingal's Cave) Op. 26 | Felix Mendelssohn, Royal Concertgebouw Orchestra, Bernard Haitink | F Major | 2 | 7B | 123 BPM | ||
Gothic Suite Op 25: Toccata | Léon Boëllmann, William McVicker | F Minor | 1 | 4A | 134 BPM | ||
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Concerto for Strings in G Minor, RV 156: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Études d'exécution transcendante: Wilde Jagd (No. 8) | Franz Liszt, Evgeny Kissin | C Minor | 2 | 5A | 108 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Game of Abduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 96 BPM |