"O nata lux de lumine" by Thomas Tallis, Norwich Cathedral Choir, Ashley Grote had its release date on January 18, 2019. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 16 in Evening Hymn: Music of Light by Norwich Cathedral Choir, Ashley Grote. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, O nata lux de lumine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O nata lux de lumine by Thomas Tallis, Norwich Cathedral Choir, Ashley Grote is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Missa Secunda, Messe für vierstimmigen Chor: Kyrie | Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich | A♭ Major | 2 | 4B | 65 BPM | ||
Dorian Service: Magnificat | Thomas Tallis, Chapelle du Roi, Alistair Dixon | E♭ Major | 0 | 5B | 110 BPM | ||
2nd Book of Madrigals for five Parts: Ecco mormorar l'onde | Claudio Monteverdi, Hallenser Madrigalisten, Andreas Göpfert | C Minor | 1 | 5A | 87 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
Abendlied | Josef Rheinberger, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | F Major | 2 | 7B | 79 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Missa L'homme arme: Kyrie | Guillaume Dufay, Oxford Camerata, Jeremy Summerly | D♭ Minor | 1 | 12A | 58 BPM |