Danish National Symphony Orchestra's 'Malach, the Angel Messenger (From "World of Warcraft")' came out on April 26, 2024. Since Malach, the Angel Messenger (From "World of Warcraft") is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of War & Craft: Music from The Powerful Empires by Danish National Symphony Orchestra. The song's track number on the album is #1 out of 6 tracks. Based on our data, Germany was the country where this track was produced or recorded. Malach, the Angel Messenger (From "World of Warcraft") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Malach, the Angel Messenger (From "World of Warcraft") by Danish National Symphony Orchestra has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Malach, the Angel Messenger (From "World of Warcraft") being at 89 テンポ, the half-time would be 44 テンポ with a double-time of 178 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let Us Quest! | Steve Jablonsky | C Major | 6 | 8B | 103 BPM | ||
Sub Prime Directive | Michael Giacchino | E♭ Major | 4 | 5B | 148 BPM | ||
Sleðrenna | Gaute Storaas, Bratislava Symphony Orchestra | G Major | 6 | 9B | 92 BPM | ||
In The Clouds | Junkie XL | C Minor | 3 | 5A | 83 BPM | ||
Homeland Main Theme | Sean Callery, Danish National Symphony Orchestra, Hans Ek | D Minor | 3 | 7A | 106 BPM | ||
Main Theme (From "Grim Fandango") | Peter McConnell, Danish National Symphony Orchestra, Eímear Noone | G Minor | 3 | 6A | 106 BPM | ||
Russia (The Atomic Era) | Geoff Knorr, Phill Boucher | E Minor | 4 | 9A | 104 BPM | ||
Bathysphere Ride (From "Bioshock") | Gary Schyman, Danish National Symphony Orchestra, Eímear Noone | A Minor | 2 | 8A | 89 BPM | ||
Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | C Major | 3 | 8B | 134 BPM | ||
The Showdown | Glenn Stafford, Derek Duke, Neal Acree, Russell Brower | C Major | 4 | 8B | 110 BPM |