"Bist du bei mir, BWV 508" by Elisabeth Schwarzkopf was released on September 16, 2010. The duration of Bist du bei mir, BWV 508 is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Bist du bei mir, BWV 508's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 9 in Ave Maria by Elisabeth Schwarzkopf. Based on our statistics, Bist du bei mir, BWV 508's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bist du bei mir, BWV 508 by Elisabeth Schwarzkopf is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Malinconia, ninfa gentile | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | E Major | 2 | 12B | 94 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Rossini: Il Barbiere di Siviglia, Act 1: "Una voce poco fà" (Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri, John Constable | F Major | 2 | 7B | 133 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Spanisches Liederbuch (Excerpts): No. 12, In den Schatten meiner Locken [Live] | Hugo Wolf, Elisabeth Schwarzkopf, Jacqueline Bonneau | D Minor | 1 | 7A | 83 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Thomas Hampson, Ferruccio Furlanetto, Anthony Laciura, Renato Capecchi, Dawn Upshaw, Heidi Grant Murphy, Anne Sofie von Otter, Tatiana Troyanos, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 114 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
Schubert: Gretchen am Spinnrade, Op. 2, D. 118 | Franz Schubert, Elisabeth Schwarzkopf | D Major | 1 | 10B | 86 BPM |