Jorge Augusto Dias Cardoso, Miloš Karadaglić's '24 Piezas sudamericanas: Milonga' came out on January 1, 2012. With this song being about 5 minutes long, at 4:46, "24 Piezas sudamericanas: Milonga" by Jorge Augusto Dias Cardoso, Miloš Karadaglić is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Miloš Karadaglić, Studioorchester der Europäischen FilmPhilharmonie, Christoph Israel's "Latino" album is number 6 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, 24 Piezas sudamericanas: Milonga is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 24 Piezas sudamericanas: Milonga by Jorge Augusto Dias Cardoso, Miloš Karadaglić to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Danzas españolas, Op. 37: 5. Andaluza | Enrique Granados, Alicia de Larrocha | E Major | 0 | 12B | 92 BPM | ||
Angostura | Antonio Lauro, Adam Holzman | G Major | 2 | 9B | 97 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
24 Progressive Lessons for Beginners | Fernando Sor, Miloš Karadaglić | E Minor | 0 | 9A | 141 BPM | ||
The Rider | Jeffrey McFadden | G Minor | 2 | 6A | 115 BPM | ||
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
Lennon / McCartney: Yesterday (Arr. Toru Takemitsu) | Manuel Barrueco | F♯ Minor | 0 | 11A | 80 BPM | ||
Elegie: Elegy | Johann Kaspar Mertz, Gabriel Bianco | A Minor | 0 | 8A | 133 BPM | ||
Recuerdos de la Alhambra : Recuerdos de la Alhambra | Norbert Kraft | A Major | 1 | 11B | 75 BPM |